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[TIFF Review] Prisoners

Prisoners might be the most shockingly dark studio release since Fight Club, a grim, unsettling, occasionally convoluted, but undeniably gripping thriller. The ...

[TIFF Review] Labor Day

If anyone asked if Jason Reitman was truly a great director or, rather, someone with excellent luck in choosing projects -- I remember thinking his Best Directo...

[TIFF Review] Dom Hemingway

After finding a glut of recent work in television, it's good to see writer-director Richard Shepard back in theaters with Dom Hemingway. As a big fan of both Th...

[TIFF Review] The Sacrament

It can be said that emerging writer-director Ti West sets a certain expectation, making what some consider to be "anti-horror" films. There's been the '80s feti...

[TIFF Review] The Finishers

The Finishers is a wonderful, crowd-pleasing tearjerker from director Nils Tavernier, inspired by the real-life Hoyt family from Holland, MA. Fabien Héraud star...

[TIFF Review] Lucky Them

Starring Toni Collette and directed by Megan Griffiths, Lucky Them is a strong character study centered around a Seattle rarely seen on film: infused with the h...

[TIFF Review] Blood Ties

Guillaume Canet’s Blood Ties not only tells a story that’s been wrought so often, but, worse yet, in a manner that lacks the raw, rough, and ready energy of tho...

[TIFF Review] R100

What do you get when you cross one of Japan's most influential comedians, a premise similar to The Game -- but with a zany wild streak of subversive humor -- an...

[TIFF Review] Tracks

A stunningly beautiful film, director John Curran's Tracks traces the physical and psychological 1,700-mile trek of Robyn Davidson (Mia Wasikowska) from the cen...