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[Sundance Review] I Am Michael

Sure to ignite many impassioned discussions,  I Am Michael tackles complex issues of sexuality and faith with a balanced view. The directorial debut of Justin K...

[Sundance Review] Knock Knock

With his tirelessly brutal movies, Eli Roth isn't for everybody. Hostel and Hostel II aren't exactly easy watches, but Roth does what he does well, even if it's...

[Sundance Review] Mistress America

Something happened to Noah Baumbach. The writer-director behind Greenberg, Margot at the Wedding, and The Squid in the Whale never once pulled a punch as a stor...

[Sundance Review] Nasty Baby

SebastiĂ¡n Silva is a director who strives for the unexpected. Both premiering at Sundance a few years ago, Magic Magic and Crystal Fairy are wild movies, often ...

[Sundance Review] Ten Thousand Saints

Working in the tried-and-true coming-of-age drama with a focus on sex, drugs and rock-n-roll, Ten Thousands Saints, from directors Robert Pulcini and Shari Spri...

[Sundance Review] Dope

Dope opens with a sense of energy proclaiming that writer-director Rick Famuyiwa has something to say, and he's going to do it in his own particular way. Diffic...

[Sundance Review] Mississippi Grind

After breaking out with the bleak, but masterful character study Half Nelson, filmmaking duo Anna Boden and Ryan Fleck took on baseball with the under-appreciat...

[Sundance Review] Stockholm, Pennsylvania

You can't fault writer/director Nikole Beckwith for a lack of trying. Stockholm, Pennsylvania - starring Saoirse Ronan, Cynthia Nixon and Jason Isaacs - dives h...

[Sundance Review] Slow West

The treacherous landscape of the west has been captured in numerous entries in the genre, but rarely with the distinctive vibrancy cinematographer Robbie Ryan (...

[Sundance Review] The Overnight

Things get weird, and then some, in Patrick Brice's engaging and bizarre new comedy The Overnight. As with the majority of Duplass-produced features, we follow ...