Last week we saw a film from Pawel Pawlikowski that crossed continents and spanned decades and lasted a mere 84 minutes. With the exception of a devastating cli...
There is a movie within the movieĀ Knife + Heart and it boasts the slightly euphemistic title ofĀ Homocidal (although I prefer the working title: Anal Fury). It i...
Sergei Loznitsaās Donbass forms a rough trilogy with two of his previous features, My Joy (2010) and A Gentle Creature (2017),Ā offering another social allegory ...
Bi Ganās debut feature, Kaili Blues,Ā proved one of the big critical hits of the lastĀ few years ā all the more impressive for the fact that the writer-director s...
Matteo Garroneās Dogman featuresĀ many of the same themes and motifs as his 2002 film, The Embalmer. Its grisly narrative is again loosely based on real events d...
Public radio producer-turned-filmmaker Assia Boundaoui faces a problem in how she approaches her autobiographical documentary, The Feeling of Being Watched:Ā she...
A powerful DIY film cobbled together from testimonials, iPhone videos, and home movies, Rudy Valdezās personal documentaryĀ The Sentence explores the personal to...
Recalling the polemics of Ousmane SembĆØne, Rungano Nyoniās Zambian filmĀ I Am Not a Witch is an impressively crafted comedy of manners turned tragedy. The film c...
A sprawling yet compact history of the iconic night club,Ā Studio 54Ā focusesĀ on the clubās founders, Steve Rubell and Ian Schrager, two men who turned a small bu...