The Playlist brings us some news on the highly anticipated film, Gravity. The film will start shooting this summer and star Robert Downey Jr. and be directed by Alfonso Cuaron (Children of Men). Downey Jr. will start shooting but will have to leave halfway through to go shoot Sherlock Holmes 2 for director Guy Ritchie.Furthermore, we also learn that the film will be made up of CGI, or at least 60% of it will be. This could lead to a very interesting film in terms of visuals, especially with Cuaron behind the lens.
Framestore, a UK effects company, posted a fairly informative blurb about the film on their site. Here it is:
Framestore is about to embark on one of its greatest challenges yet, Gravity is the next Avatar in terms of ambition. There are many innovative and visually stunning aims for this project.
The entire film will be made here at Framestore. In effect the film, as Avatar was, is 60% CG feature animation with the balance being hybrid CG and live action elements.
Starring Robert Downey Junior, the film is a contemporary survival thriller that follows a woman as she attempts to make her way back to earth after a satellite crash sets off a chain reaction of further crashes. Because it’s set in space, most shots require every element to float in zero-gravity.
But then factor in that this a stylish Cuarón flick, directed with his trademark languid feel, and you begin to realise the full scale of our challenge. Cuarón’s long and fluid style (the opening shot alone is slated to last at least 20 minutes) leaves no cut points to hide behind. In short, this is a hybrid of a fully animated, photo-real feature film with a blockbusting visual effects movie.
Fortunately, having worked with Alfonso before on Harry Potter and Children of Men, we know one another extremely well. Now we are looking for the best talent in the world to help us realise this massive and beautiful film. Over the next few weeks we are interviewing and looking at reels of those in-house who want to join in as well as making trips to the US, Canada and Australasia.
This is CG feature animation meets real world on a large and beautiful scale.
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
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