Reviews

[Review] New Year’s Eve

So many questions I never knew I had were answered last night during a packed house screening of New Year’s Eve. A spiritual sequel to last year’s Valentine...

[Review] Answers to Nothing

So much happens in Matthew Leutwyler’s Answers to Nothing, but how much is actually relevant? An adulterous husband with a rockstar mistress and lawyer wife...

[Review] Khodorkovsky

Mikhail Khodorkovsky was one of the world’s youngest and richest billionaires to emerge from the wealthy Russian oligarchy society, a tycoon owning billions...

[Review] Shame

Michael Fassbender tears up the screen in Steve McQueen's Shame. The actor offered a quietly evocative and committed performance in McQueen's profound debut...

[Review] We Bought a Zoo

When it comes to coating a film in sentimentality, earnestness and a generally warm mood, few succeed like director Cameron Crowe. For his return to filmmak...

[Review] The Artist

One of the more discussion-piquing results of contemporary cinema's ever-increasing implementation of technological advancements is the way these innovation...

[Review] A Dangerous Method

The warning signs start popping up early and often in David Cronenberg’s A Dangerous Method. They’re revealed mostly through the performance of Keira Knight...

[Review] My Week with Marilyn

As many will point out, My Week with Marilyn is told from the least interesting perspective. The film isn't a biopic of Miss Marilyn Monroe - something that...

[Review] Tyrannosaur

Paddy Considine's gripping directorial debut Tyrannosaur opens with a series of stark, brisk images that introduce the relentless destructiveness of the wid...

[Review] Arthur Christmas

After the box office failure of Flushed Away, I was worried Aardman Animations may have been dead. With the fire that consumed thirty years of their history...