A little over two years ago, on a rainy Sunday afternoon, I walked into a small Toronto art house and discovered the gem that is Starbuck, the French-Canadian c...
A guy like John Singleton doesn't just finance independent films like Hustle & Flow without first understanding the talent its writer/director possesses to ...
Michel Gondry's new documentary, Is the Man Who Is Tall Happy?, is nothing more than a collection of conversations with renowned philosopher Noam Chomsky, accom...
Walk with me back to a kinder, gentler time before Tyler Perry; The Best Man arrived in 1999 as another entry into a movement that was long overdue. Love Jones ...
The lesson to be learned from Will Slocombe’s Cold Turkey is that you should never confide family secrets with the uncontrollable loose cannon of the bunch. Bec...
A word of caution to the romantically inclined sci-fi buff: About Time is not a time travel movie -- it’s a Richard Curtis movie. If you have ever entertained t...
Until inimitable singer Ian Brown, guitar god John Squire, affable bassist Mani, and long-MIA drummer Reni congregated in a London hotel in October 2011 before ...
“Question those who offer you simple solutions to big and complex problems,” advises one student speaking to his peers at a protest. Throughout At Berkeley, dir...
There was something off with 2011's Thor: while many believe Iron Man 2 was nothing but an evolutionary bridge for its hero to move closer towards what The Aven...
The Pervert’s Guide to Ideology is a rather challenging film to review; like his other, rather useful The Pervert’s Guide to Cinema (and his collaborations with...
