To disclose my feelings on Thirty Seconds to Mars off the bat, I'm a huge fan of the band. When "Capricorn (A Brand New Name)" hit the radio waves, I was sold—n...
I admit I’m unfamiliar with Langston Hughes’ Black Nativity, a libretto that serves as the source material for Fox Searchlight's latest release, but I have a fe...
When Kathleen Hanna is shown sitting at her home discussing her exit from fronting Le Tigre, she says, “I felt I had said everything I wanted to say.” It’s the ...
Coming hot off the heels of the original's 10-year anniversary, Spike Lee's remake of Chan-wook Park's Oldboy may succeed in swaying domestic audiences unfamili...
Over half a century in the making, Disney’s adaptation of Hans Christian Andersen’s The Snow Queen has finally made it to the big screen. It was 1943 when Walt ...
For a certain type of moviegoer, the on-paper credentials of Homefront are undeniably encouraging: written by Sylvester Stallone (whose initial intentions here ...
Filmmaker Michael Winterbottom, ever the force to be reckoned with, returns with another drama experiment that will no doubt find only the smallest of audiences...
It's truly stunning to see something so horrendously volatile as the Mexican narcotics trade glorified to the point of celebrity by naïve outsiders far removed ...
She may live in a dystopic nightmare where the reigning government wants her head on a plate, but Katniss Everdeen is one fortunate girl. She emerged from the t...
A little over two years ago, on a rainy Sunday afternoon, I walked into a small Toronto art house and discovered the gem that is Starbuck, the French-Canadian c...
