Ma Rainey’s Black Bottom director George C. Wolfe and screenwriter Ruben Santiago-Hudson may not bring the same cinematic eye that Denzel Washington infused in...
The reign of bigotry and terror from Donald Trump and his administration can often take the form of a myopic view for those in the United States, witnessing on...
Late in Justin Staples’ brief exploration of the sub-genre known as "SoundCloud Rap," New York Times pop music critic Jon Caramanica opines that "what young pe...
An emotional rollercoaster from minute one, director Luke Greenfield's Half Brothers ultimately taps into something earnest. Renato (Luis Gerardo Méndez) is a ...
After spending two decades as a British aid worker throughout a war-torn Middle East, Hana (Andrea Riseborough) chooses Luxor as the destination for her leave....
The day Audrey (Sheila McCarthy) and Henry Walsh's (Julian Richings) grandson Jackson died was the day they sold their souls to the Devil—figuratively speaking...
There’s a certain aura that some people who’ve lived a lively, eventful life possess––a rare shimmer of self-belief and authority. Errol Morris’ new documentar...
“What follows is (mostly) fiction,” begins Gabriel Range’s lacklustre David Bowie biopic Stardust. What’s true is that in 1971, after “Space Oddity” but before...
What does one make of an animated sequel to a hit that's been mostly forgotten in the seven years since it was released? The Croods: A New Age, directed by Joe...
Thought no fault of the filmmaker, Katrine Philp’s affecting Beautiful Something Left Behind arrives in an unusual period of global certainty, bravely explorin...
