Home is profoundly where the heartache is in Eyimofe (This Is My Desire), a finely wrought, wistful but mildly unsatisfying debut feature by Nigerian-raised, N...
There's a reason young, mute Dylan Jacobs (Ezra Dewey) longs for a voice and it's not simply an ableist fantasy striving for some misguided ideal of "normalcy....
In what could be a companion piece to Mario Furloni and Kate McLean’s cannibusiness drama Freeland, Chris J. Russo’s Lady Buds is an exploration of newcomers a...
An apt alternate title for Bebia, à mon seul désir could well be Grandma, which of course was also the name of a Lily Tomlin-starring comedy from 2015. Indeed,...
Following on the heels (and somewhat novelty) of art-film director biopics Pasolini and Godard Mon Amour comes Enfant Terrible, which spans fifteen years in th...
Filling the void left by much of Hollywood when it comes to sharing stories told by Black artists, streamers like Netflix and Amazon have recently had an impre...
Consider an odd occurrence: my generation––the millennials––are really feeling tarot and astrology at the moment. There are many pop-psychological interpretati...
With his new picture, Guy Ritchie continues down a familiar, albeit entertaining, road. Following a decade-plus of big budget tentpoles (two Sherlock Holmes mo...
Depending on the storyteller, the early 20th century folk hero Olivorio Mateo (the Papá Liborio of the title), was a Creole saint or a dangerous cult leader. H...
Never read the comments—a universal rule for all writers who publish, share, or create on the internet. No matter what you say or how you say it, there will al...
