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    News

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    • David Fincher’s The Adventures of Cliff Booth Sets Global IMAX Release This November

    • Leos Carax’s Annette Follow-Up Lily May B to Shoot Next Year with Jenna Ortega

    • The Criterion Collection’s August Lineup Includes James Gray, Todd Haynes, and More

  • Trailers

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    • Exclusive Trailer for Bouchra Presents an Acclaimed, Personal Hybrid Animation

    • Sophie Thatcher and Charles Melton Lead First Teaser for Nicolas Winding Refn’s Her Private Hell

    • Exclusive Trailer and Poster for Lisandro Alonso’s Double Freedom Marks a Powerful Reunion

  • Reviews

    Reviews

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    • Tuner Review: An Entertaining, Conveniently Scripted Caper

    • Cannes Review: Andrey Zvyagintsev’s Minotaur Is a Fascinatingly Lopsided Drama

    • Cannes Review: Victorian Psycho Is Gothic Horror with Confidence and Verve

  • Features

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    • The Best Movies Now Playing in Theaters

    • New to Streaming: Yes, The Love That Remains, The Christophers, Project Hail Mary & More

    • NYC Weekend Watch: Kazuhiko Hasegawa, Pynchonesque, Max and Richard Fleischer, the Pusher Trilogy & More

  • Interviews

    Interviews

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    • “Making Movies Should Be a Pleasure”: Olivier Assayas on The Wizard of the Kremlin

    • “Everything Is By Chance”: Tony Leung on Silent Friend, Léa Seydoux, and Ryûsuke Hamaguchi

    • Silent Friend Director Ildikó Enyedi on Capturing a Tree’s Perspective and the State of a Soul

  • Podcasts

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    • The B-Sides of Eddie Murphy with Nicholas Gray and Alvin Keith

    • The B-Sides of Chow Yun-Fat

    • Josh Heaps on the DIY Horror of City Wide Fever

  • Festivals
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    • Cannes Review: Cristian Mungiu’s Fjord Is a Thunderous, Opulent Triumph

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    • In the Grey Review: A Reflection on the Strange Career of Guy Ritchie

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    • Ryûsuke Hamaguchi on Passion, Learning from Kiyoshi Kurosawa, and Rethinking How to Make Films

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News

First Look at Riley Keough in Albert Serra’s Out of This World

My Undesirable Friends: Part I – Last Air in Moscow Announced as Winner of the 2025 Indie Film Site Network Advocate Award

Richard Linklater and Lynne Ramsay Update on Next Projects

Jeff Nichols Sets Next Feature King Snake Starring Margaret Qualley, Michael Shannon, and Drew Starkey

One Battle After Another Sweeps 2025 Gotham Award Nominations

Aftersun Director Charlotte Wells to Helm Debbie Harry Biopic

Adam Driver Reveals Steven Sodebergh’s Cancelled Star Wars Movie

Restorations of Olivier Assayas’ Paris Awakens and A New Life Making North American Debut at BAM on November 4

November on The Criterion Channel Brings Howard Hawks, Trent Reznor, Blackout Noir & More

The Criterion Collection’s January 2026 Lineup Includes Yi Yi, Birth, and Dead Man on 4K

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Tuner Review: An Entertaining, Conveniently Scripted Caper

Cannes Review: Andrey Zvyagintsev’s Minotaur Is a Fascinatingly Lopsided Drama

Cannes Review: Victorian Psycho Is Gothic Horror with Confidence and Verve

The Best Movies Now Playing in Theaters

I Love Boosters Review: Boots Riley Again Takes Dead Aim at Capitalism in Zany Comedy

Stolen Kingdom Review: A Light but Entertaining Look at Disney Obsessives

Cannes Review: The Man I Love Presents a Lovingly Detailed World and Lacking Lead Performance

David Fincher’s The Adventures of Cliff Booth Sets Global IMAX Release This November

Cannes Review: László Nemes’ Moulin Is a Brooding, Engaging World War II Thriller

Cannes Review: I See Buildings Fall Like Lightning Is a Captivating, Polyphonous Ode to Friendship 

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