Werner Herzog on Michael Shannon Being the Best Actor of His Generation
We talk with the one and only Werner Herzog about his latest film, Salt and Fire....
Ethan Vestby
The Pleasure Principle: Jean-Marie Straub and Danièle Huillet’s ‘The Chronicle of Anna Magdalena Bach’
Ahead of a 35mm screening at TIFF, we look at the ever-evolving journey into the films of Straub and Huillet....
Review: ‘Resident Evil: The Final Chapter’ Proves Paul W.S. Anderson Isn’t Out of Ideas
Let’s get this out of the way, vulgarians: Resident Evil: The Final Chapter is a bit different than the past Paul W.S. Anderson-directed entries. As evident fro...
Adam Nayman on the Confusion and Carnage of Ben Wheatley
We talk with the author of a new book on Ben Wheatley on his career and film culture....
Paul Verhoeven Discusses How Isabelle Huppert Carries ‘Elle,’ the Reception of ‘Showgirls,’ and More
Likely to launch a thousand angered think-pieces, Elle is the latest film (and first French production) from master director Paul Verhoeven....
Paul Schrader on Shaking Up Nicolas Cage and the Capitalism of Cinema
We talk to the director about Dog Eat Dog and the future of filmmaking....
[TIFF Review] Raw
18-year-old Justine (Garance Marillier) is a meek vegetarian, which motivates her decision to enroll as a freshman at the same prestigious veterinary school as ...
[TIFF Review] Ta’ang
A text against a black screen informs us of the Ta’ang ethnicity belonging to Myanmar, a nation engulfed in an endless civil war, which happens to be driving it...
[TIFF Review] Justin Timberlake + The Tennessee Kids
We live in a post-Popstar: Never Stop Never Stopping world, and thus we need to act accordingly. So we have to take with a grain of salt Justin Timberlake when ...
[TIFF Review] The Woman Who Left
Lav Diaz’s Golden Lion winner from this year's Venice Film Festival feels like something of a surprise because, for all its extended shots, luminous black-and-w...
