We got word just this week that a sequel to Martin Scorsese’s classic Raging Bull was kicking off production in Los Angeles. Things are moving fast, as the first photos have now been unveiled via press release. And it’s not looking good. Written and directed by Martin Guigui, with no involvement from Scorsese or Robert De Niro, these first two stills from Raging Bull II forgo the beautiful black-and-white aesthetic found in the 1980 classic and just have a general low-budget feel.
I’d have no problem seeing a un-related film about an up-and-coming boxer, but this one just looks like a desperate cashgrab. Especially as it comes in the form of a prequel and sequel to Scorsese’s film, going back and forth between early and late events in LaMotta’s life. Check out the photos above and below for the film starring William Forsythe, Joe Mantegna, Tom Sizemore, Penelope Ann Miller and Mojean Aria.
This film may quench the unsatisfied thirst that movie goers desire to see more of this true middleweight boxing legend as well as newcomers who want to see an action film that shows how a man’s inner drive can overcome life’s obstacles. Raging Bull II fills in the gaps and allows us to get to know Jake LaMotta. It answers such questions as what happened to him or what he was like as a youngster. LaMotta himself was present and providing guidance before and during the shoot.
Although Raging Bull gave us the adult version of Jake LaMotta, it did not provide the rare look into Jake’s childhood nor the impact of the after effects of his violent life. Raging Bull II provides this much desired insight into the real-life struggle of a down-and-out pugilist who turns his anger, abusive childhood into a boxing career. Although his brute force turned him into a middleweight champion, it also created challenges in his life.
Raging Bull II hits theaters in 2013.
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
Latest posts from Beats Per Minute