Carving out a career that seems wholly based on personal taste rather than following the whims of what an audience may enjoy, Viggo Mortensen earned ubiquitous...
In just three films, writer-director Eliza Hittman has crafted some of the most vivid, intimate coming-of-age dramas of the century thus far. Following 2013's ...
Has there been a great feature made about the opioid crisis in America? Director Braden King is determined to answer the question "yes" with The Evening Hour, ...
Directed and co-written by Florian Zeller from his own play, The Father doesn’t have much visual flair. It’s a first feature, largely takes place in one apartm...
A Michael Almereyda film can be a special thing. A few years back, the writer/director gave us Experimenter, an impressive kinda-biopic of Stanley Milgram star...
In September 1997, sparked by desperation and noble intentions, Rob Richardson committed armed robbery. He was handed a 65-year prison sentence with no real ho...
Here’s a film for which the label “low-key” feels particularly misleading, one whose power resides in its simplicity, in its ability to conjure grace out of a ...
In the opening minutes of Tapeworm, a man (Adam Brooks) pulls into a gas station to use their restroom, only to find it occupied. Unable to hold it in, he runs...
Opening with a jarring, heart-stopping scene in which David (Clayne Crawford) points a gun at his sleeping wife, Robert Machoian’s The Killing of Two Lovers is...
As Joseph (Ben Whishaw) sits at the table with his parents (Ellie Haddington and Ian Gelder), he puts his mouth to a glass. He wraps his lips around the rim as...
