Set in the meeting room of a modest Episcopalian church, two couples meet under tragic circumstances. For his directorial debut Mass, accomplished actor Fran K...
There’s something very crass about Cusp, and almost all of that comes from its design. It’s aimless like its subjects, and it’s even more hopeless. Everyone wo...
Pop culture, entertainment, hedonism—they’re all different sides to the same brain atrophy. Well, that’s how Sebastian (Bartosz Bielenia) sees it. He’s a 20-ye...
Superior begins with a woman in a bright red jumpsuit sprinting away from a violent man, intercut with another woman, at home, frying an egg. It might not imme...
In How It Ends, there’s a lot of talk about seeing somebody “in the next life.” The movie, created together by partners Zoe Lister-Jones and Daryl Wein, was wr...
Considering the raw, uncomfortable truths found in Jerrod Carmichael’s comedy, the logline of his directorial debut shouldn’t come as a surprise: two friends m...
There is a stellar moment in Mark Harris’ stunning new biography Mike Nichols: A Life in which the director’s early 70s oddity The Day of the Dolphin is releas...
The biggest block party of 1969 took place over six weeks in central Harlem. Clustered together into the rocky confines of Mt. Morris Park (now Marcus Garvey P...
Any newly-released film, book, or piece of media that begins its story in the latter months of 2019 is signifying something very clear: trouble like we’ve neve...
In their debut feature film, directing duo Harpo and Lenny Guit craft a narrative unlike any other. Mother Schmuckers (Fils de Plouc in their native French) op...
