David Lynch's year of oddball contributions continues apace. Following the unearthing of a 25-year-old, generally awesome album, Thought Gang, he's debuted ...
It's entirely possible we'll never get another long-form moving-image work from David Lynch–though, if you'll excuse my language, who the fuck knows; more o...
Writer-director Jim Hosking seems determined to entertain–and divide. From a segment in The ABCs of Death 2 to his feature debut The Greasy Strangler, it was ma...
Shinya Tsukamoto introduced his latest film Killing at the Toronto International Film Festival as a “desperate scream.” The writer, actor, director, cinematogra...
While High Life has understandably drawn all kinds of comparisons to the 60s and 70s cerebral sci-fi canon (notably Solaris and 2001: A Space Odyssey), for both...
There comes a telling moment near the beginning of The Mountain when Jeff Goldblum's doctor turns to his newfound apprentice to explain the workings of a camera...
The question that Hermann Vaske has asked for over two decades is a large one. Why Are We Creative? There's no blanket answer — no right or wrong notion of the ...
