With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles ...
Has there been a great feature made about the opioid crisis in America? Director Braden King is determined to answer the question "yes" with The Evening Hour, ...
A follow-up to his awarding-winning Black Coal, Thin Ice, acclaimed Chinese genre filmmaker Diao Yinan is back with The Wild Goose Lake, a sumptuously stylized...
An official selection at TIFF, Gravitas Ventures has unveiled the first trailer for The Rest of Us, the debut feature from Aisling Chin-Yee starring Heather Gr...
Directed and co-written by Florian Zeller from his own play, The Father doesn’t have much visual flair. It’s a first feature, largely takes place in one apartm...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile reperto...
A Michael Almereyda film can be a special thing. A few years back, the writer/director gave us Experimenter, an impressive kinda-biopic of Stanley Milgram star...
In September 1997, sparked by desperation and noble intentions, Rob Richardson committed armed robbery. He was handed a 65-year prison sentence with no real ho...
Notoriously masculine and unwelcoming, the realm of American action cinema as a genre often refuses to give female characters the same agency as their male cou...
Here’s a film for which the label “low-key” feels particularly misleading, one whose power resides in its simplicity, in its ability to conjure grace out of a ...