Gaspard
(Nicolas Duvauchelle) has lived his entire life in pursuit of fulfilling a
promise from his grandmother that he's never quite understood. She was the
m...
“This is utopia, bright and burning.” So narrates Hubert Sauper at the end of Epicentro, but the question at this point isn’t whether this utopia is real. It’s...
From his screenplays for Being John Malkovich and Eternal Sunshine of the Spotless Mind, to his directorial efforts Synecdoche, New York and Anomalisa, audienc...
After exploring the migrant crisis with his Oscar-nominated, Golden Bear-winning Fire at Sea, Italian filmmaker Gianfranco Rosi is returning this fall with his...
Although Lingua Franca is only Isabel Sandoval’s third film, she already has made her signature recognizable. Her work is astute, impeccably shot, and often in...
Writing about New Cinema Club earlier this month, I remarked that "arts investment is not so much on its last legs as finding a way to get up while the world r...
When thinking about the worst ways to die, a few options pop to the top of the mind, including but not limited to drowning, something elevator-related, or any ...
If the events of the art world aren’t on your radar, you might have missed the late-2000s scandal that enveloped the Knoedler & Co. gallery in Manhattan, o...
A hit at this year's Sundance Film Festival, where Radha Blank won the U.S. Dramatic Competition Directing Award, The 40-Year-Old Version stars the actress as ...
Although the United States doesn’t have an official language, the Lingua Franca of Isabel Sandoval’s third feature-length refers to the English adopted by immi...