The Film Stage - Page 688

U.S. Trailer for Ukraine’s Oscar Entry Atlantis Vividly Captures a Post-War Near-Future

One of the most acclaimed films on the festival circuit the past year or so has been Valentyn Vasyanovych's Venice award winner Atlantis. Hauntingly capturing ...

Christopher Schobert’s Top 10 Films of 2020

Following our top 50 films of 2020 and more year-end coverage, we're pleased to share personal top 10s of 2020 from our contributors. Yes, 2020 will forever...

The Best Scores & Soundtracks of 2020

As Martin Scorsese once said, "Music and cinema fit together naturally. Because there's a kind of intrinsic musicality to the way moving images work when ...

The Film Stage Show Ep. 413 – Soul (with Robyn Bahr)

Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Michael Snydel, and Bill Graham are joined by Robyn Bahr to discuss Pete...

The Best Undistributed Films of 2020

After highlighting the most overlooked films of 2020, today we're putting a spotlight on the films that need a home to be seen in the first place: the 40 or so...

Martin Scorsese Unveils Trailer for Surprise Documentary Pretend It’s a City with Fran Lebowitz

In a pandemic-free timeline we likely would be seeing Martin Scorsese's Killers of the Flower Moon by the end of 2021, but with a shoot hopefully getting under...

Audrey Review: Accentuating the Compassionate Soul of a Cinematic Icon

Despite her status as one of the most iconic movie stars in history, one can’t help but root for the girl at the center of Audrey, who dreams of nothing more t...

My Dinner With Alan: A Sopranos Session Emphatically Unpacks David Chase’s Cultural Landmark

It is by now a cliché observation that American TV drama maps cleanly into eras of pre- and post-Sopranos, but the march of history hasn’t made it any less tru...

Wonder Woman 1984 Review: A Bloated, Extravagant Sequel in a Time of Excess

Wonder Woman 1984 starts with an elaborate prologue and a simple message. Back on the island of Themyscira, a young Diana Prince competes against a handful of ...

New to Streaming: Soul, Afrofuturism, City Hall, Yourself and Yours & More

With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles ...

News

New Restoration of Ken Russell’s The Devils Leads Cannes Classics 2026 Lineup

Whit Stillman Plans Return with Adam Brody-Led A Night at Claridge’s; Sebastian Stan and Ana de Armas to Lead Felipe Gálvez’s Impunity

Ryûsuke Hamaguchi’s Rare Touching the Skin of Eeriness Screens May 19

Trailers

Maddie’s Secret Trailer: John Early Crafts a Sincere Satire in Directorial Debut

Kamal Aljafari Documents a Vanishing Land In Exclusive Trailer Debut for With Hasan in Gaza

Dominic Sessa is Anthony Bourdain in First Trailer for Matt Johnson’s Tony

Reviews

Blue Film Review: Masterful Two-Hander Confronts Flaws with Empathy

Our Land (Nuestra Tierra) Review: Lucrecia Martel’s Essential Document of Indigenous Resistance

This is Not a Drill Review: A Sharp Portrait of Climate Activists Who Still Fight

Features

Posterized May 2026: Renoir, I Love Boosters, Backrooms & More

New to Streaming: A Magnificent Life, Wuthering Heights, Stranger Eyes, An Unfinished Film & More

NYC Weekend Watch: Tony Leung, Bellissima, Whisper of the Heart & More

Interviews

Silent Friend Director Ildikó Enyedi on Capturing a Tree’s Perspective and the State of a Soul

Arnaud Desplechin on Two Pianos, Nervous Breakdowns, and Making Cinema Bigger Than Life

“Objectivity Is Not Possible”: Lucrecia Martel on Crafting Her First Documentary

Podcasts

The B-Sides of Chow Yun-Fat

Josh Heaps on the DIY Horror of City Wide Fever

The B-Sides of Steve Martin with Eric D. Snider

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