The Film Stage - Page 610

ND/NF Review: Gull is a Searing Korean Drama Unpacking the Trauma of Sexual Assault

For nearly 30 years, O-bok (Jeong Ae-hwa) has operated her own successful seafood stand inside a small Seoul fish market. The hard, punishing work has made it ...

The Human Factor Review: An Illuminating Look at the Messy, Evolving Middle East Peace Process

Arriving at an energizing time in American history (the arrival of a new administration looking to reset certain international priorities), Dror Moreh’s The Hu...

Memories of Murder on Criterion: Bong Joon-ho’s Haunting Masterwork of Controlled Chaos

In the procedural genre, where “bad cops” frequently reveal themselves to be law-enforcement geniuses, it remains shockingly refreshing to see a film where the...

Exclusive Trailer for Five Years North Examines the Lives of an Undocumented Teenager and ICE Officer

While Biden has sought to restrict the power of Immigration and Customs Enforcement (aka ICE), reversing a number of Trump's inhumane policies, it's hard to ge...

Rainer Werner Fassbinder Biopic Enfant Terrible Gets U.S. Trailer

An official selection of the Cannes That Didn't Happen, a new biopic exploring the life of one of the most prolific directors of all-time, German New Wave icon...

ND/NF Review: Dark Red Forest is a Rigorous Look at the Circular Nature of Sacrifice

Yarchen Monastery located on the Tibetan Plateau is home to 10,000 nuns at any one point in the year. As Dark Red Forest explains in the opening title cards, m...

ND/NF Review: All the Light We Can See is a Radical and Rhapsodic Mexican Odyssey

“Perhaps what is needed now is a cinema that is no longer Latin but something else,” said the Mexican director Pablo Escoto Luna in an interview for his short ...

Michel Hazanavicius Remaking the Japanese Hit One Cut of the Dead

Throughout his career, French director Michel Hazanavicius has been more interested in mining film history than forging original paths. After parody riffs on s...

ND/NF Review: Azor is a John le Carré-Esque Submersion into the Height of The Dirty War

An almost suffocating air of secrecy permeates Azor, a Swiss-Argentinean coproduction concerning the mutual suspicion and damnable complicity of patrician Nort...

George A. Romero’s Planned Final Zombie Movie Twilight of the Dead Will Be Brought to Life

Even though he passed away four years ago, we're still unearthing work from George A. Romero's vast career. This summer, his long-lost feature The Amusement Pa...

News

Justine Triet Sets Next Feature with Fonda Starring Mia Goth, Andrew Scott, Frank Dillane & More

Exclusive Clip and Poster for Ramzi Bashour’s Sundance Premiere Hot Water Introduces Mother-Son Road Comedy

Sinners and One Battle After Another Lead 2026 Oscar Nominations

Trailers

Hong Sangsoo Puts Comedy In Focus with U.S. Trailer for What Does That Nature Say to You

Exclusive Trailer for Berlinale Premiere No Salgas From Ramona Director Victoria Linares Villegas

I Love Boosters Trailer: Boots Riley Returns with Keke Palmer, Naomi Ackie, and Taylour Paige

Reviews

Sundance Review: Kogonada’s Free-Flowing Zi is an Experimental Career Reset

Sundance Review: Andrew Stanton’s In the Blink of an Eye is Technofuturist Propaganda

Josephine and Nuisance Bear Lead 2026 Sundance Film Festival Winners

Features

NYC Weekend Watch: Short Cuts, Strange Days, Silent Hill & More

New to Streaming: Sundance 2026, Peter Hujar’s Day, Ella McCay & More

The Best Movies Now Playing in Theaters

Interviews

The Love That Remains Director Hlynur Pálmason on the Preciousness of Time and Spontaneous Filmmaking

One Battle After Another Production Designer Florencia Martin on Building Paul Thomas Anderson’s Detailed World

“You’re Leaning Into the Ugliness”: Michael Bauman on Shooting One Battle After Another for Paul Thomas Anderson

Podcasts

The B-Side Ep. 175 – Rachel McAdams

The Best Films of 2025 and Most-Anticipated Films of 2026

The B-Side Ep. 174 – James Stewart (with Mitchell Beaupre)

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