The Film Stage - Page 560

BFI London Review: Colin Firth & Stanley Tucci Exude a Powerful Love in Supernova

How can one begin to contemplate losing the person they love most in the world? It’s difficult to think about and often, as human beings, we put off the future...

Montclair Review: Derek DelGaudio’s In & of Itself is a Fascinating Meditation on Narrative, Identity, and Magic

It's a tough act for a critic to try and explain the joys and pleasures of Derek DelGaudio’s In & of Itself. In short, it’s an evocative exploration of nar...

Midnight in Paris Review: A Sensitive, Joyful Portrait of Prom in Flint, Michigan

There’s a moment in Midnight in Paris that strikes because of its simple beauty and melancholy. The seniors of Flint Northern High School’s Class of 2012 made ...

SDAFF Review: Lav Diaz’s Genus Pan Presents a Blistering Allegory for Humanity’s Inescapable Death Cycle

With his latest feature Genus Pan, the king of slow cinema Lav Diaz proves that even his fleet-footed efforts can be an unrelenting experience. Clocking in at ...

AFI Fest Review: Wildland is a Family Crime Drama with Richly Drawn Characters and Riveting Violence

While much entertainment can be had from stories of successful, high-level crime families, tales of low-level crime syndicates are often far more impactful. Ca...

The Empty Man Review: Carefully-Crafted Horror That Runs Off the Rails

As an optimist that believes theatrical exhibition will survive, I look forward to the day when David Prior’s The Empty Man is introduced by a genre geek at an...

World of Tomorrow Episode Three Review: An Aesthetically Inventive and Narratively Complex Evolution

Throughout the whole of Don Herzfeldt's World of Tomorrow trilogy, one thing is always constant; even in a future of amazing technology, it will be the ineffab...

Dreamland Trailer: Margot Robbie is a Bank Robber on the Run

One of the few A-list stars to emerge the last few years, it's surprising it has taken this long for a film starring Margot Robbie to finally arrive, but her D...

Scarlett Johansson to Lead Sebastián Lelio’s Bride for Apple & A24

Chilean director Sebastián Lelio has found acclaim with his Oscar-winning drama A Fantastic Woman, as well as Gloria and the English-language remake he directe...

New to Streaming: On the Rocks, Borat 2, The Witches, American Utopia & More

With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles ...

News

David Fincher’s Remastered Se7en Comes to IMAX to Kick Off 2025

Criterion Collection’s February 2025 Lineup Features Paul Thomas Anderson, Jean-Luc Godard, Crossing Delancey & More

Exclusive: New Restoration of Queer Drama By Hook or By Crook Acquired by Altered Innocence for Spring 2025 Release

Trailers

Nicole Kidman and Harris Dickinson Find Pleasure in New Trailer for Babygirl

Pamela Anderson is The Last Showgirl in First Trailer for Gia Coppola’s Drama

Exclusive U.S. Trailer for Endless Summer Syndrome Unveils Provocative French Drama

Reviews

Allen Sunshine Review: A Tranquil Debut Feature with a World of Feeling

Gladiator II Review: Ridley Scott’s Sequel Bests Predecessor By Going Dumb

Riga Review: Dreamy Stereoscopic 3D Folk Tale Twittering Soul is One of a Kind

Features

Appreciating a Pioneer: Pittsburgh Celebrates Queer Local Filmmaker Roger Jacoby with World Premiere Restorations

New to Streaming: Megalopolis, Rumours, Look Into My Eyes, An Almost Christmas Story, and More

NYC Weekend Watch: The Limits of Control, Ealing Studios & More

Interviews

Payal Kapadia on All We Imagine as Light, Impermanence, Magical Realism, and Trilogy Plans

Barry Keoghan on Young Fatherhood, Loving La La Land, and the Movement of Andrea Arnold’s Bird

NYC Weekend Watch: Ken Kelsch, Il Grido, Flesh for Frankenstein 3D & More

Podcasts

The B-Side – Gwyneth Paltrow (with Cory Everett)

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

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