Sophia Loren earned her status as a cinema legend through her portrayals of women who were larger than life, yet specific enough, that we felt we might encount...
Cinematic representations of passion usually involve hot color schemes, sweaty images and fiery emotions, symbols of riveting and uncontrollable desire. In his...
The subject of married directing duo Maia Lekow and Chris King's The Letter isn't just one piece of correspondence. It's instead a type that's been gaining tra...
The Criterion Collection continues 2021 with a recently rediscovered classic, an established tenet of the conspiracy genre, a horribly underrepresented African...
You cannot stop Abel Ferrara. You should not try to stop Abel Ferrara—American (or wherever he can get funding) cinema still needs its uncompromising bravados,...
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles ...
Is attempting to pervert the happiest time of year still a fresh approach? No, but Fatman sure thinks so. Is putting folklore into our reality a good excuse fo...
Welcome to The B-Side, from The Film Stage. Here we talk about movie stars and filmmakers and not the movies that made them famous or kept them famous, but the...
Puerto Rico is the oldest colony in the world. Think about that. The United States retains the island as an "unincorporated possession" without any national re...
Ava DuVernay's release imprint, Array, has become a distributor to watch over recent years, curating acquisitions that are not only under-the-radar but feel re...