The Film Stage - Page 538

Berlin Review: Super Natural Delivers Beautiful Sentiments with Cyclical Redundancy

Less a film than an experience, Jorge Jácome's Super Natural is the kind of work that only achieves the sort of transcendence it aspires towards if the viewer ...

Dear Mr. Brody Trailer Uncovers the Peculiar Tale of a Hippie Millionaire Who Wanted to Give Back

Not in fact a documentary about one of our most erudite film critics, Dear Mr. Brody uncovers the peculiar true tale of a hippie millionaire who wanted to give...

First Look at Cillian Murphy in Christopher Nolan’s Oppenheimer

With production getting underway on Christopher Nolan's Oppenheimer—and as a bid to get ahead of the paparazzi sure to swarm the set—Universal Pictures have un...

U.S. Trailer for Radu Muntean’s Întregalde Explores Horrors of Humanity in the Transylvanian Forest

A selection at Cannes, TIFF, and NYFF, Romanian filmmaker Radu Muntean's latest work Întregalde plays with notions of genre trappings to tell a grounded story ...

Martin Scorsese’s Killers of the Flower Moon Will Be Released in November

We are now in the year of a new Martin Scorsese film. Following up The Irishman, the director embarked on another epic production, an adaptation of David Grann...

Adam Sandler Hits the Court in First Trailer for Hustle, From We the Animals Director Jeremiah Zagar

With Murder Mystery 2 now filming, Adam Sandler is brilliantly still letting Netflix pay for his on-location vacations, but in a post-Uncut Gems world the star...

Berlin Review: Denis Côté’s That Kind of Summer Shines a Light on Hypersexuality

Denis Côté is a weird kind of humanist, arriving at that angle from an offbeat starting point. Maybe the key to his work thus far is his short, powerful 2012 d...

The Criterion Channel’s March Lineup Includes Sophy Romvari, Pasolini, The Age of Innocence & More

Rarely one finds a friend on the Criterion Channel—discounting the parasitic relationship we form with filmmakers, I mean—but it's great seeing their March lin...

Kyle Buchanan on Documenting the Wild Creation of Mad Max: Fury Road in Blood, Sweat & Chrome

“My name is Max. My world is fire and blood.” So began George Miller’s Mad Max: Fury Road, a modern masterpiece that is as daring, audacious, and immaculately ...

The B-Side – In Conversation with Joe Wright

Hello everyone, welcome to the B-Side Podcast for The Film Stage where we talk about movie stars and filmmakers – not the movies that made them famous or kept ...

News

James Gray’s Paper Tiger Sets North American Premiere as Opening Night of the 64th New York Film Festival

The Criterion Collection’s October Lineup Features The Silence of the Lambs and Guillermo del Toro’s Frankenstein on 4K, Jerzy Skolimowski, and Samuel Fuller

Locarno Film Festival Unveils 2026 Lineup

Trailers

The Uprising Trailer: Andrew Garfield Leads a Rebellion for Paul Greengrass

Filipiñana Trailer: Rafael Manuel’s Jia Zhangke-Backed Sundance Winner Opens This August

Domhnall Gleeson Encounters a Strange Land In First Trailer for The Incomer

Reviews

The Odyssey Review: Christopher Nolan’s Journey of Perpetual, Enervating Awe

The Kidnapping of Arabella Review: Offbeat Italian Road Trip Comedy

Night Nurse Review: A Perverse, Seductive Thriller

Features

NYC Weekend Watch: The Hole, Electronica, Gakuryu Ishii, Nicholas Ray & More

The Best Movies Now Playing in Theaters

New to Streaming: The Furious, City Wide Fever, Amores Perros, Camp & More

Interviews

Tsai Ming-liang on the Personal Inspiration of The Hole, Constant Evolution, and His Next Films

“How Do You Make a Contemporary Erotic Thriller”: Georgia Bernstein on Night Nurse and Catherine Breillat

David Wain on the Hard Work of Making Dumb Jokes

Podcasts

The B-Sides of Christopher Nolan with Blake Howard

Yasmina Tawil on Progamming Hou Hsiao-hsien, David Fincher, Tom Tykwer & More for BAM’s Electronica Series

The B-Sides of Julia Roberts with Joe Reid

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