There’s something off about Mama Weed. On a more superfluous level, there’s the translation from La daronne—the original French title and the street name its p...
There's a legend of sorts about a shipwreck on the island locale most tourists ask Charlie (Aaron Jakubenko) and Kaz (Katrina Bowden) to take them off the Aust...
Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan and Bill Graham are joined by Brett Arnold to discuss Justin Lin's Cannes...
Few documentaries made an impact at Sundance comparable to Sabaya—it did win their World Cinema Documentary Directing Award, after all. Which surely played no ...
In the sea (one might say glut) of contemporary animation—a form that, by its very nature, is most often supported by the ever-watchful eye of major studios—br...
Considering the pervasive aesthetic influence of John Wick on modern action cinema, it was only a matter of time before variations and riffs on the gun-fu form...
It seemed inevitable that Haruki Murakami’s prose would find a way into the films of Ryusuke Hamaguchi. The director returns with Drive My Car, based on Muraka...
Pablo Larraín is gearing up for a major second half of 2021. At long last, his dance/relationship drama Ema will arrive next month (more on that later) and the...
After jumping into English-language work with the star-studded western The Sisters Brothers, Jacques Audiard is returning to his native country with a new dram...
Her mother (Becki Hayes' Lois) has lived in this town her whole life and River Allen (Mary Cameron Rogers) knows she'd willing suffer the same fate unless she ...