The Film Stage - Page 430

Martyrs Lane Review: A Purposeful Ghost Story Imbued with Psychological Horror

Ten-year-old Leah (Kiera Thompson) is caught watching her family like an outsider looking in. Her much older sister (Hannah Rae's Bex) is about to leave for co...

A Cop Movie Trailer: Alonso Ruizpalacios Examines the Mexican Police Force in Berlinale Winner

Güeros and Museum director Alonso Ruizpalacios returned earlier this year with A Cop Movie, a Berlinale winner that picked up Best Editing at the festival. The...

Hive Trailer: Blerta Basholli’s Sundance Triple Award Winner Arrives This November

One of the most well-decorated films at this year's Sundance Film Festival was Hive, Blerta Basholli's drama which picked up an Audience Award, Directing Award...

Goodbye, All Evangelions: Hideaki Anno’s Franchise Finale is Idiosyncratic, Mammoth, Messy, and Unforgettable

Evangelion seems to come back at turning points in my life. I first watched the original series in the summer of 2005; like more than a couple of anime-obse...

New Trailer for The Many Saints of Newark Brings Sopranos Spirit

While The Many Saints of Newark's first trailer raised some hackles on my social-media feed—it looks a bit parody-esque, bad sheen, uncertainty as to why this ...

New Trailer for Edgar Wright’s Last Night in Soho Brings Us Closer to the Mystery

The reviews are in and signs point to "smashing" (that's a term English people use) success. Following his delightful doc debut The Sparks Brothers, Edgar Wrig...

Leonardo DiCaprio and Jennifer Lawrence Try Averting Catastrophe in Teaser for Adam McKay’s Don’t Look Up

As the Hollywood studio system continues its slow bleed into longed-for death, history repeats itself with star-studded cast the likes of which haven't been se...

Joaquin Phoenix and Mike Mills Find Life in First Trailer for C’mon C’mon

Notwithstanding the time added by a pandemic, five years is a while to wait for new work by Mike Mills, whose 20th Century Women only looks better and better t...

Venice Review: Mona Lisa and the Blood Moon is a Joyously Scrappy New Orleans B-Movie from Ana Lily Amirpour

The way her career is headed, soon we’ll be able to collate an Ana Lily Amirpour map of the United States. A Girl Walks Home Alone at Night was set in a fantas...

Nina Hoss and Noémie Merlant Join Cate Blanchett in Todd Field’s TAR

Production is now getting underway in and around Berlin for Todd Field's first film in fifteen years, TAR. Led by Cate Blanchett, the first announcement for th...

News

First Look at Lynne Ramsay’s Die, My Love Featuring Jennifer Lawrence and Robert Pattinson

December on the Criterion Channel Includes Bob Dylan, John Waters, MTV & More

Bertand Bonello, Takashi Miike, Nikyatu Jusu, and More Plan Next Features

Trailers

U.S. Trailer for Walter Salles’ I’m Still Here Introduces Brazil’s Oscar Entry

The Wages of Fear Returns In Explosive Trailer for 4K Restoration

Asif Kapadia and Samantha Morton Imagine the Future in Trailer for La Jetée-Inspired 2073

Reviews

Allen Sunshine Review: A Tranquil Debut Feature with a World of Feeling

Gladiator II Review: Ridley Scott’s Sequel Bests Predecessor By Going Dumb

Riga Review: Dreamy Stereoscopic 3D Folk Tale Twittering Soul is One of a Kind

Features

The Best Movies Now Playing in Theaters

The Film Stage’s 2024 Holiday Gift Guide

New to Streaming: A Different Man, The Outrun, My Old Ass, Used Cars & More

Interviews

Barry Keoghan on Young Fatherhood, Loving La La Land, and the Movement of Andrea Arnold’s Bird

NYC Weekend Watch: Ken Kelsch, Il Grido, Flesh for Frankenstein 3D & More

“Life Is Worth Celebrating”: Tyler Taormina on Christmas Eve in Miller’s Point

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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