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[Review] Machine Gun Preacher

If one would only view the first 15 minutes of Machine Gun Preacher, they would probably figure they're about to endure a sappy Lifetime movie; for good rea...

[NYFF Review] A Separation

In its 49th year, the New York Film Festival boasts a wide-array of striking and rightfully heralded cinema, including several foreign-language Oscar hopefuls. ...

[Review] Margaret

Kenneth Lonergan's Margaret feels both incomplete and uncut. What lives on the screen arrives like the bullet points of a much larger, much grander, impossi...

[Review] 50/50

Jonathan Levine's 50/50 has all of the makings of a heartstring-tugging melodrama. That it ends up being a better-than-average blend of comedy and drama -- ...

[TIFF Review] Wetlands

From the opening frame Wetlands commands our attention. A naked, Marie (Pascale Bussières) walks through an open field and down to the wetlands, in the bliste...

[TIFF Review] A Letter to Momo

 A Letter to Momo, director Hiroyuki Okiura’s (Jin-Roh) second feature, is a hand-drawn animation that took seven years to make. Carefully animated, it gorg...

[TIFF Review] The Flying Machine

The Flying Machine, directed by Martin Clapp, Geoff Lindsey and Marek Skrobecki is an ambitious combination of 3D and live-action, while having the longest ...

[Review] Abduction

Taylor Lautner is out of his league. What works in the Twilight series - where everyone is about as human as a doll - from Mattel Inc., isn't functional in ...

[TIFF Review] Goon

Despite following the travels of an American, Goon is about as Canadian as Rush, and thankfully a lot more fun than the opener of TIFF 2010, Score: The Hock...