A vanity project that is, above all, a mixed bag, Ryan Piers Williams has committed the sin of New York filmmakers of a certain status with access to crews and ...
In 2009, when the sci-fi breakthrough District 9 premiered, it didn’t seem likely, but now it’s looking like a sad, frustrating reality: Neill Blomkamp is basic...
In the wake of Rolling Stone’s sloppy journalism chronicling a campus rape at UVA, a trend of defection has painfully occurred: slut-shaming, victim blaming and...
“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably....
With a seemingly endless amount of streaming options -- not only the titles at our disposal, but services themselves -- we've taken it upon ourselves to highlight the titles that have recently hit the interwebs....
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A new series entitled "Black & White ’Scope: American Cinema" commences this weekend, and, as for the series itself, with a Wilder doubl...
I came upon a bittersweet revelation while watching Olivia Wilde wreak paranormal havoc on her co-workers in The Lazarus Effect: the tried-and-true horror trope...
You know that moment in a con movie where you're shown an elaborate sequence full of subtle background action without knowing exactly what's happening until the...
One look at Ray Wise, with his creased, worried face and troubled pale-blue eyes, and you’d believe he’s actually seen a hidden underground world of monsters. T...
With a seemingly endless amount of streaming options -- not only the titles at our disposal, but services themselves -- we've taken it upon ourselves to ...