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[Venice Review] Hacksaw Ridge

Mel Gibson is back in the director’s chair after a decade to remind us, in his own devout way, that war is hell and faith is good. Hacksaw Ridge, his new World ...

[Venice Review] Safari

Isn’t it strange how cinema’s greatest misanthropes always seem, deep down, to be the most empathetic. It’s as if the total lack of sentiment for (and complete ...

[Venice Review] Nocturnal Animals

“You have to learn to enjoy the absurdity of our world,” says Michael Sheen’s L.A. socialite to Amy Adams' disillusioned art gallery owner at the after party of...

[Venice Review] Chuck

Chuck looks a bit familiar. A film of browns and greens; disco music and ‘70s rock tunes; big haircuts and even bigger lapels. Indeed, in a way reminiscent of r...

[Review] The 9th Life of Louis Drax

Ten years after Anthony Minghella optioned Liz Jensen's The 9th Life of Louis Drax to develop cinematically, it was his son Max who saw it begin production. The...