Following up one of the most impressive American independent films of the decade thus far, Buzzard, director Joel Potrykus is back with The Alchemist Cookbo...
After being a go-to cinematographer for a good amount of today's comedies (The Hangover trilogy, I Love You, Man, Garden State), Lawrence Sher has now taken...
The 2010 oil rig explosion in the Gulf of Mexico was a disaster beyond belief, not only causing the deaths of workers, but ecologically setting our planet back ...
Lav Diaz’s Golden Lion winner from this year's Venice Film Festival feels like something of a surprise because, for all its extended shots, luminous black-and-w...
It appears my first foray into Nollywood (Nigerian cinema) was well selected being the latest from director Izu Ojukwu, one of the nation's most ambitious artis...
Directors of a certain auteurist stripe serving as producers for up-and-comers and protégés can be a mixed blessing. On the one hand, they may over-exert their ...
After the formally rigorous character studies of Afterschool and Simon Killer, director Antonio Campos is back with Christine. His first feature based on a ...
Perhaps the best director who does it as a part-time job, Tom Ford is back with his second film after 2009's A Single Man and it's shaping up to be a delici...
After a few shorter previews, the first full-length trailer has arrived for Disney Animation's Dwayne Johnson-led Moana, which tells the adventurous journey...
We’ve lamented the qualitative drop of Chinese cinema around this time last year, as Hu Guan’s glossy generational drama Mr. Six closed the Venice Film Festival...