The Film Stage - Page 1119

Jeremy Renner and Elizabeth Olsen Reunite in the First Trailer for Taylor Sheridan’s ‘Wind River’

With the strongest one-two punch of first produced scripts in Hollywood the past few years, Taylor Sheridan has emerged as a distinctive voice in revitalizi...

Luc Besson Creates New Worlds in Final Trailer for ‘Valerian and the City of a Thousand Planets’

Luc Besson is looking to recapture that goofball Fifth Element charm with his latest sci-fi spectacle Valerian and the City of a Thousand Planets. Adapted f...

Cannes Review: ‘The Beguiled’ is a Defiant and Sumptuous Genre Outing for Sofia Coppola

Cannon fire rumbles menacingly in the distance, but it’s human desire that might prove to be the greater threat after all in The Beguiled. Set to the backdrop o...

First Trailer for ‘Wonder’ Starring Jacob Tremblay, Owen Wilson, and Julia Roberts

With Wonder, author Stephen Chbosky returns to the director’s chair for the first time since he helmed the film adaptation of his novel The Perks of Being a...

Review: ‘The Women’s Balcony’ is an Intuitive Account of Fundamentalist Extremism

There's more to The Women's Balcony than the American marketing machine has thus far presented. Billed as a feel good comedy of communal spirit — and correctly ...

Review: ‘Baywatch’ Drowns in Easy Jokes and Lazy Plotting

Blame it on 21 Jump Street. In 2012, Phil Lord and Christopher Miller rebooted a silly, cult television series with a clever wink. It was a hit that spawned a h...

Cannes Review: ‘April’s Daughter’ Marks a High Point for Michel Franco

Michel Franco has built a reputation as an actor's director, with his films featuring no shortage of unforgettable lead performances. Tim Roth's creepy leading ...

Cannes Review: ’24 Frames’ is an Experimental Swan Song for Abbas Kiarostami

Cinema lost one of its pre-eminent pioneers when Abbas Kiarostami died on July 4, 2016. Over the course of his 46-year filmmaking career, the Iranian master nev...

Cannes Review: ‘A Ciambra’ Bends Social Realist Rules with Bracing, Unsentimental Drama

Director Jonas Carpignano returns with his first film since Mediterranea (which broke out from Cannes Critics' Week sidebar two years ago) to remind us that alp...

Cannes Review: ‘Godard Mon Amour’ Offers a Playful Pastiche on the Re-Radicalization of Jean-Luc Godard

It's more Pastiche du Godard than Histoire(s) du Godard in Michel Hazanavicius’ Godard Mon Amour and that’s not a bad thing. The director’s slight but surprisin...

News

Cinema Guild to Unveil Otar Iosseliani Restorations This Summer

The Criterion Collection Announces Complete Stanley Kubrick 4K Set

NYC Weekend Watch: Masahiro Shinoda, Budd Boetticher in 3D, Carlito’s Way & More

Trailers

Will Poulter Navigates an American Crisis In First Trailer for Union County

Exclusive Trailer for Japan Cuts 2026 Highlights the Best of New Japanese Cinema

Sophie Thatcher and Charles Melton Traverse Giallo Underworld In Trailer for Nicolas Winding Refn’s Her Private Hell

Reviews

Camp Review: An Absorbing, Dreamlike Journey of Finding Yourself

Jackass: Best and Last Review: Knoxville & Co. Return for One Last Encore

Romería Review: A Personal Tale of Intergenerational Dissonance

Features

NYC Weekend Watch: 70mm Conspiracies, Immigrants, Spectres, Sherman’s March & More

Posterized July 2026: The Samurai and the Prisoner, The Odyssey, Night Nurse & More

12 Films to See in July

Interviews

Ross McElwee on Remake and the Painful, Profound Process of Making a Testament to His Son’s Life

Tamra Davis on Billy Madison, Half Baked, Watching Fellini and Coppola on Set, Bonding with Britney Spears, and The Best Summer

“There’s No Incentive for a Filmmaker to Retire”: Alex Cox on Returning With Dead Souls

Podcasts

The B-Sides of Julia Roberts with Joe Reid

The B-Sides of Steven Spielberg with Bilge Ebiri

The B-Sides of Goldie Hawn with Jen Johans

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