The Film Stage - Page 1072

Busan Review: ‘How to Breathe Underwater’ is a Formally Arresting Exposé on the Alienation of Urban Life

To see that Korean cinema is at a healthy place right now, one must look no further than the official selection of the Cannes Film Festival this year. Besides t...

‘The Commuter’ Trailer: Liam Neeson Experiences the Horrors of Public Transit

If this year feels a little peculiar, it might be that there's no new Jaume Collet-Serra film, an occurrence that hasn't happened since 2013. Thankfully, on...

First Trailer for ‘The Strange Ones’ Introduces an Enigmatic Journey

One of the more enigmatic, visually striking short films I've seen at Sundance was Lauren Wolkstein and Christopher Radcliff's The Strange Ones back in 2011...

The Film Stage Show Ep. 268 – The Florida Project

We discuss the colorful new film by Tangerine director Sean Baker....

‘Phantom Thread’ Trailer: Paul Thomas Anderson and Daniel Day-Lewis Reunite

In two months, a new Paul Thomas Anderson film will be in theaters, but not just any Paul Thomas Anderson film -- and not only his first as his own cinemato...

Review: ‘Geostorm’ is the Worst Kind of Shlock

Oh, that darn Internet of Things! One of these days all of our internet-connected devices may conspire against us and in a smarter picture with a more biting co...

Review: ‘Jane’ is a Breathtaking Documentary that Serves as a Cautionary Tale

Even though now it’s almost impossible to think of a world in which Jane Goodall isn’t the preeminent primatologist, her notorious career could’ve been thwarted...

Busan Review: ‘The Bold, the Corrupt, and the Beautiful’ is a Sumptuous, Entertaining Taiwanese Thriller

Being the biggest of its kind in Asia, the Busan International Film Festival offers an excellent showcase for emerging talents from the vast and vastly varied c...

Review: ‘American Satan’ is a Nightmare of Sex, Drugs, and Heavy Metal

American Satan is the kind of film that might very well pop up as an Alamo Drafthouse Weird Wednesday screening in the coming years. It’s a shame its distributo...

Busan Review: ‘Love Education’ is an Earnest, Warm Multi-Generational Drama

Death is literally the beginning in the cross-generational relationship drama Love Education, which closes the 2017 Busan International Film Festival today. In ...

News

Locarno Film Festival Unveils 2026 Lineup

Eleanor Coppola’s Documentary on the Making of Sofia Coppola’s Marie Antoinette Is Coming Soon

David Chase Sets LSD Film; New Updates on Quentin Tarantino, Wes Anderson, David Lowery, and Sacha Baron Cohen Projects

Trailers

Kim Min-hee Takes a Walk in First Teaser for Hong Sangsoo’s 35th Feature Nowhere to Lay My Eyes

Michael Mann’s Manhunter: The Final Cut Gets Trailer for 40th Anniversary Restoration

American Doctor Trailer: Three Heroes Navigate the Medical Toll of the Genocide in Gaza

Reviews

Night Nurse Review: A Perverse, Seductive Thriller

Barrio Triste Review: One of the Year’s Great Debuts

Remake Review: Ross McElwee’s Introspective Documentary Haunts with Humanity

Features

NYC Weekend Watch: The Hole, Electronica, Gakuryu Ishii, Nicholas Ray & More

The Best Movies Now Playing in Theaters

New to Streaming: The Furious, City Wide Fever, Amores Perros, Camp & More

Interviews

Tsai Ming-liang on the Personal Inspiration of The Hole, Constant Evolution, and His Next Films

“How Do You Make a Contemporary Erotic Thriller”: Georgia Bernstein on Night Nurse and Catherine Breillat

David Wain on the Hard Work of Making Dumb Jokes

Podcasts

Yasmina Tawil on Progamming Hou Hsiao-hsien, David Fincher, Tom Tykwer & More for BAM’s Electronica Series

The B-Sides of Julia Roberts with Joe Reid

The B-Sides of Steven Spielberg with Bilge Ebiri

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