With Fury Road being a bit of an exception, Cannes Film Festival usually isnāt the best birthplace when it comes to Hollywood tentpoles, however it does pro...
This monthly column focuses on the film industryās willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats....
The world is terrible, and full of monsters. So says the core of solid dread within John Krasinskiās A Quiet Place. Informed by more than just his multi-hyphena...
Lauren Greenfieldās The Queen of Versailles was the perfect and perhaps too prescient portrait of a specific slice of the 1%, and now for her next documenta...
Joining the small but no less inventive subgenre of one-location thrillers, The Guilty provides a worthy refute to the idea that a bigger budget always corr...
A few minutes into Helena WittmannāsĀ Drift, two young ladies sit at a bar and recount an old myth from Papua New Guinea. Itās an anecdote of the worldās creatio...
In 2004, directors Xuan Liang and Chun Zhang created a Flash animation for an online contest. From there they expanded it into a feature length film steeped in ...
We'll believe it's officially real when we're sitting in the theater taking it in, but the best proof yet that Terry Gilliam has actually finished his oft-c...