At the heart of Restless, the new film by American auteur Gus Van Sant, is a heartfelt relationship between two young people that begins at a funeral. Thus ...
"Masterpieces are masterpieces not because they're flawless but they tap into something essential to us – at the heart of who we are and how we live." Boldl...
Many words can be ascribed to New Zealand comediennes The Topp Twins, not the least of which are: yodeling lesbian sister act, politically driven sketch comed...
The Beaver isn't a film for everyone. It's a bit odd, it's quite dark and rarely sugarcoats the serious subject matter at hand. With a subtle and unobtrusiv...
Paul Feig knows how to make possibly inept comedy, dangerously derivative in the wrong hands, have a heart. Feig is behind one of the best series ever put o...
In Julia Leigh's unusual feature film debut Sleeping Beauty, the debutante director tries to paint a provocative picture of lust for youth. Intrigued by the...
With the Cannes Film Festival beginning next week, it's timely that Octubre, which snagged the Un Certain Regard Jury prize in 2010, is set to hit theaters in...
Marvel's big screen version of Thor is not what I expected from a Kenneth Branagh film. While watching the latest build-up adventure to The Avengers, it is ...
William Monahan is a "man's man" writer, but with a bit of a humanistic touch. Monahan often plays in testosterone-clouted universes, whether it be with a m...
Dylan Dog: Dead of Night, based on Tiziano Sclavi's horror comic, is beyond the reach of being just clunky, rather placed down in the depths of true, unfunn...
