After the formally rigorous character studies of Afterschool and Simon Killer, director Antonio Campos seems like the ideal fit for the unsettling drama of Chri...
For all the criticism the found footage genre gets, like many a well-worn structure, there is still room to build. Operation Avalanche, from Matt Johnson and Jo...
There are no volunteer events, community service or positive team-building exercises to be found in Goat. Director Andrew Neel is focused instead on the most vi...
From the start, Tallulah, written and directed by Sian Heder (Orange is the New Black), boldly attempts to juggle its tone between comedy and tragedy. When we m...
Films centered around disabled people often focus on the inevitable demise of their main characters. Not so in the bracingly optimistic road movie The Fundament...
Whit Stillman and Jane Austen are a match as well-made as any in one of Austen’s books. And Austen’s novella, Lady Susan -- probably her least-appreciated piece...
When the worst horror imaginable happens to your community, how do you emotionally rebuild? How do you embrace your neighbor, knowing the pain that's seared int...
A common trope at Sundance is the star-led indie, painted top-to-toe with eccentricities that are meant to represent/replace both story and character developmen...
Perhaps the most inside-baseball of films at Sundance this year, JJ Garvine and Tai Parquet’s Film Hawk is an intimate look at film consultant extraordinaire Bo...
With his unassuming, quietly affecting films leaving such a distinctly indelible impact long after the credits roll, we may only have three features from Kennet...
