Reviews

[Venice Review] A Woman’s Life

Misery is constant and humor is fleeting in the world of A Woman's Life (Une Vie), an emotionally overcast period drama from French filmmaker Stéphane Brizé (Th...

[Venice Review] The Untamed

There’s something dark and wonderful lurking in The Untamed, the brilliant, frightening, hyper-real erotic mystery from the mind of Mexican auteur Amat Escalant...

[Venice Review] Brimstone

On paper, Brimstone has a lot going for it: it’s an ambitious European production that's been shot in multiple countries to capture the essence of iconic Americ...

[Venice Review] Frantz

One can accuse François Ozon of many things, but lack of ideas isn’t one of them. The prolific French auteur is a constant presence at A-list film festivals sin...

[Venice Review] Hacksaw Ridge

Mel Gibson is back in the director’s chair after a decade to remind us, in his own devout way, that war is hell and faith is good. Hacksaw Ridge, his new World ...

[Venice Review] Safari

Isn’t it strange how cinema’s greatest misanthropes always seem, deep down, to be the most empathetic. It’s as if the total lack of sentiment for (and complete ...

[Venice Review] Nocturnal Animals

“You have to learn to enjoy the absurdity of our world,” says Michael Sheen’s L.A. socialite to Amy Adams' disillusioned art gallery owner at the after party of...

[Venice Review] Chuck

Chuck looks a bit familiar. A film of browns and greens; disco music and ‘70s rock tunes; big haircuts and even bigger lapels. Indeed, in a way reminiscent of r...

[Review] The 9th Life of Louis Drax

Ten years after Anthony Minghella optioned Liz Jensen's The 9th Life of Louis Drax to develop cinematically, it was his son Max who saw it begin production. The...