It’s rare for a documentary to inspire applause during the feature, but there you have the power of Amanda Lipitz’s Step, an inspiring crowd-pleaser that provid...
A tender love story, Dina is a documentary that could easily be mistaken for a fiction film. Framed in long takes, often on a tripod, several choices other than...
A portrait of one working class family living in north Philly over the course of nearly a decade, Jonathan Olshefski’s debut, Quest, strives to demonstrate the ...
There are plenty of characters and there is plenty of New York City in writer/director Dustin Guy Defa's Person To Person, but the whole thing meanders all over...
Cut together with gut-wrenching intensity and packed with footage that feels equal parts remarkable and horrifying, Cartel Land director Matthew Heineman return...
Nobody Speak: Trials of the Free Press uses a salacious story and website as the launching pad to discuss where we currently are, so much so that I imagine dire...
Winner of Slamdance's Grand Jury Prize, Dim the Fluorescents is the kind of dynamic, entertaining debut feature that hopefully puts its cast and crew on the map...
Burgeoning sexuality is the basis for nearly all coming-of-age films, but with her specific eye, Eliza Hittman makes it feel like we’re watching this genre unfo...
Sick and twisted for the sake of being sick and twisted, Kuso is a certainly not a film for everyone, or perhaps anybody. I imagine the experience is like being...
Get ready to hear the name Chanté Adams. She's the stand-out in Michael Larnell's by-the-books, but nevertheless engrossing Roxanne Roxanne. Backed by producers...
