The dedication at the end of The Plastic House is short and sweet: “For Mum & Dad.” Like the rest of writer-director Allison Chhorn’s documentary, that ded...
Canadian novelist and playwright Robertson Davies once compared the continuity of a reader’s relationship to literature to that of architecture transforming in...
A well-modulated vision of the fight against encroaching malaise or mere trifle dressing itself up? Depends on the scene. But trifles have their place and aute...
Since its world premiere at this year’s Sundance Film Festival, the people behind Possessor have been desperate for audiences to know how violent the film is. ...
It feels like a lifetime ago that I watched I Carry You With Me. It was a Sundance press screening in the middle of my busiest day at the festival, and frankly...
Native
American teen Margo Crane (Kenadi DelaCerna) has never been able to choose her
own path through life. She and her father Bernard (Tatanka Means) live on...
Humans want to believe in meaning and mystery. At times, an overwhelming sense of certainty can fill one's mind––about an idea, a truth, a religion, or a signi...
You
cannot just watch part of Craig Roberts' latest film Eternal Beauty. You might think you could since it's seemingly as
schizophrenic as its lead character ...
The words faith and belief have been distorted beyond recognition these past couple decades, if not longer. They used to signify a person's innate ability to t...
Assembled from a single couple’s trove of home movies—50 reels, nearly 30 hours, of 16mm footage captured at home and on vacation from the 1940s to the 1960s—M...
