The thing about artists is that their life's work is objective. It remains once they're gone. Few other career paths can claim that since money doesn't count. ...
Did ex-Pogues frontman Shane MacGowan and the late London jazz club impresario Ronnie Scott ever cross paths? As key figures of the last century of music, it i...
The idea of 67% of American households tuning into a network television movie seems almost absurd in 2020. The Super Bowl can rate those numbers, but a movie? ...
Modernism, insofar as the painting world is concerned, was created in large part out of the invention of the camera. Here was a new device that captured life-l...
Eugene's (Finn Cole) father used to say about their Bismarck home, "This place is cursed." It didn't matter that it's where he and his wife Olivia (Kerry Condo...
Peter Pan and Alice in Wonderland form the basis of Brenda Chapman’s fantastical children’s film Come Away. I say "children’s," not "family," because it’s unli...
Falling squarely into the melodramatic Oscar-bait category that director Ron Howard revisits every now and again (A Beautiful Mind, Cinderella Man, Frost/Nixon...
It would be easy to dismiss Rama Rau's first non-documentary feature Honey Bee as another melodramatically grim look at the consequences of sex trafficking in ...
Any number of undergrad papers will tell us David Fincher’s corpus concerns obsession. More pertinent to his endurance as the rare A-list American auteur is it...
In a world more than ten years into a historic Marvel Cinematic Universe run, the only word to describe someone outside the Hollywood system deciding to make a...
