“I was locked in Guangdong jail for twenty days,” says Hong, a resident of Wukan, China who became a key figure in the small village’s 2011 protests that drew ...
Doug Liman's foray into science fiction has given us inexplicable lows like Jumper, and impressive heights such as Edge of Tomorrow. Chaos Walking finds an int...
First paragraphs of Hong Sang-soo reviews often dwell on the Korean master’s penchant for self-repetition, soothing readers that narrow expectations will be fu...
Add another entry to the time loop directory with Joe Carnahan's Boss Level arriving as this month's installment of what feels like a regular ritual these days...
Sophie Jones, the creation from co-writing cousins Jessica and Jessie Barr, excels when focused on the eponymous high schooler’s detachment from friends and fa...
An aura of pure eccentricity billows off the new film by Québécois provocateur Denis Côté, like a fug of stale-smelling nitrous oxide. Akin to his prior work o...
The line between fairy tale and horror proves a thin one in Igor Drljaca's The White Fortress thanks to the differing perspectives of young love in Sarajevo. W...
For his first narrative feature Natural Light, Hungarian filmmaker Dénes Nagy (who has worked in documentary since as far back as 2008) follows in the footstep...
The big draw to Fred Baillif's fictional look inside a residential care facility housing teenage girls is the fact that he refuses to pretend his setting is an...
As Raya (Kelly Marie Tran) states during her expository prologue to Don Hall and Carlos López Estrada's Raya and the Last Dragon (written by Qui Nguyen and Ade...
