As the most-anticipated film of his career began playing to critics and faced down the circus of press junkets and awards screenings, Jarin Blaschke was in Tor...
It may have taken a half-century and well after he made films with any consistency, but Alan Rudolph is at last experiencing a verdant season. Just months sinc...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln CenterThe noir titan Robert Siodmak is subject of a new retrospective.
F...
Few features this decade commit more to a formal philosophy than RaMell Ross' Nickel Boys, which adapts Colson Whitehead's novel almost entirely from the first...
In the last couple years I’ve conducted two very long interviews with Rob Tregenza, whose journey through cinema comprises four independent features of stagger...
A little more attention's been given to individual songs from Queer than its star duo's score. Sinead O'Connor's Nirvana cover that opens the film; the actual ...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Museum of the Moving ImageSee It Big! Let It Snow brings 35mm prints of Kurosawa's Dersu Uz...
My friends at Pod Casty for Me––a show that began as a look at the films of Clint Eastwood before transitioning to a series on Paul Schrader––spoke to the latt...
Those who've seen his films know Ed Lachman as a key collaborator of (naming just some) Todd Haynes, Sofia Coppola, Steven Sodebergh, Paul Schrader, and Pablo ...
