Is it possible to stand out and disappear at the same time? Matt Damon makes a convincing case study in Stillwater. As roughneck Bill Baker, he wears the signi...
It seems strange to call a Zack Snyder movie nostalgic. Over the last decade the director has spent all his energy operating within the superhero industrial co...
Sundance 2021 has been filled with so many movies about—and made in—the current pandemic that a 19th-century, gory genre flick feels like a return to normalcy....
Out of the 30-some diverse subjects that make up Searchers, a documentary about New Yorkers navigating online dating, Robert, 75, and Arthur, 78, are the most ...
Sometimes, a movie feels like it’s on the verge of something. Maybe it’s an explosion or an argument or a big decision, but it just doesn’t quite get there. To...
This year, because Sundance is a virtual festival operating in the midst of the coronavirus, there’s a tendency to label any depiction of isolation and mass hy...
In How It Ends, there’s a lot of talk about seeing somebody “in the next life.” The movie, created together by partners Zoe Lister-Jones and Daryl Wein, was wr...
The biggest block party of 1969 took place over six weeks in central Harlem. Clustered together into the rocky confines of Mt. Morris Park (now Marcus Garvey P...
Wonder Woman 1984 starts with an elaborate prologue and a simple message. Back on the island of Themyscira, a young Diana Prince competes against a handful of ...
When his brain was firing on all comedic cylinders—on stage performing standup or improvising in front of the camera—Robin Williams described an experience aki...
