First Trailer for Ryusuke Hamaguchi’s Evil Does Not Exist Takes a Serene Look at Protecting Nature
One of the best surprises in cinema this year was the news that Ryusuke Hamaguchi, just two years after his perfect one-two punch of Wheel ...
Reviews
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NYFF Review: Andrew Haigh’s All of Us Strangers is a Heartbreaking Ghost Story
In the climactic moment of 45 Years, Andrew Haigh’s portrait of an elderly couple whose marriage cracks the week of a milestone anniversary...
NYFF Review: Mambar Pierrette is an Ode to Working-Class Mothers
Cameroonian filmmaker Rosine Mbakam uses familiar spaces as microcosms of society. After capturing her subjects in one setting, such as a m...
NYFF Review: In The Pigeon Tunnel, Errol Morris Pays Extensive Homage to Spy Novelist John le Carré
You've no doubt heard of John le Carré––at least for the film adaptations of his novels, among them The Spy Who Came in from the Cold, A Mo...
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Film Festival Coverage
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New to Streaming: Four Shorts by Wes Anderson, Flora and Son, Dreamin’ Wild, and More
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
MUBI’s October 2023 Lineup Features Passages, Tsai Ming-liang, Luchino Visconti & More
Having recently shifted away from their one-film-a-day approach, MUBI has now unveiled their October lineup, which is headlined by Ira Sachs' stellar drama Pas...
The Creator Review: Gareth Edwards’ Sci-Fi Spectacle Has Scale But Fails at Sentimentality
If you need an example of a movie that doesn’t earn the portentous use of chapter titles and an “Everything In Its Right Place” needle-drop, look no further th...
The Criterion Channel’s October Lineup Includes ’90s Horror, Techno Thrillers, James Gray & More
These last few years the Criterion Channel have made October viewing much easier to prioritize, and in the spirit of their '70s and '80s horror series we've gr...
The Human Surge 3 Review: Eduardo Williams Pushes the Edges of What Cinema Can Achieve
In an interview with the Metrograph Journal, Eduardo Williams remembers the first time he ventured into a jungle. Rumor had it the forest teemed with cougars, ...
San Sebastian Review: Cristi Puiu’s MMXX is a Provocative, Frustratingly Opaque View of the COVID Era
Clearly the COVID-19 scenario's been on Cristi Puiu's mind. After all, the Romanian director loudly voiced his opposition to mask mandates when on the publicit...
The Curse Teaser: Nathan Fielder, Emma Stone & Benny Safdie Want to Fix Your Home
Even though it may not be strictly cinema, moving images don't get much more anticipated this year than a new collaboration between Nathan Fielder, Benny Safdi...
San Sebastian Review: Matteo Garrone’s Io Capitano is a Mesmerizing, Urgent Migrant Tale
Matteo Garrone’s talent for weaving stories out of the fabric of real events––especially those involving desperate or violent people––gets another airing in Io...
May December Trailer: Natalie Portman Digs into Julianne Moore’s Controversial Past in Todd Haynes Drama
One of the best films from this year's Cannes Film Festival lineup is finally getting its North American birth this week as the Opening Night selection of the ...
Jessie Buckley & Riz Ahmed Question Their Love in First Trailer for Christos Nikou’s Fingernails
Following up his breakout drama Apples, Greek director Christos Nikou leveled up his scope with the Cate Blanchett-backed Fingernails, which brings together Je...