A century from publication, Virginia Woolf’s Orlando: A Biography is still in vogue. Just before the pandemic, Tilda Swinton––who played Orlando in Sally Potte...
Categorized as a documentary by the filmmakers and programmers of SXSW, Liza Mandelup’s Caterpillar has a lucid structure that feels like a loose, improvised s...
As rumors swirl of Jean-Luc Godard's final posthumous film eying a Cannes premiere along with the recent premiere of Ben Affleck's Nike drama AIR, it's only fi...
While we've been receiving vital cinematic dispatches from the frontlines of Ukraine's ongoing battle against Russia, this week another look at the country's h...
The wait for a new Cristian Mungiu feature sure isn't short––between 4 Months, 3 Weeks, and 2 Days he's averaging about one every five years––but nobody, as sc...
In an especially appreciated instance of ask-and-you-shall-receive (and plainly great day for enthusiasts of five-hour Finnish cinema) the World Cinema Project...
There is a go-for-broke, frenzied aura upon John Wick: Chapter 4. Even for a franchise so heavily steeped in bullets and body count, this outing finds a way to...
The sophomore feature from director Léa Mysius is an enchanting work of near-unclassifiable fantasy, an evocative tale that links the sense of smell with long-...
Rachel Sennott continued her impressive run as a quick-witted, creatively vulgar comic in Bottoms, which premiered during South By Southwest’s second night. Bu...
One of the most tender, accomplished films of the year is Rebecca Zlotowski's French drama Other People’s Children. Featuring Virginie Efira's best performance...
