The Film Stage

Exclusive Trailer for The Last Picture Shows Takes a Road Trip Through American Movie Houses

Travelling 10,825 miles through America to capture 123 movie theaters scattered across small towns, Rustin Thompson has shaped the journey into a feature docum...

The Best Movies Now Playing in Theaters

Looking for what to see in theaters? Our feature, updated weekly, highlights our top recommendations for films currently in theaters, from new releases to rest...

Jackass: Best and Last Review: Knoxville & Co. Return for One Last Encore

The thing with Jackass is: there’s really nothing like it. Evolving from the skate videos of the 1990s, Jackass has persisted long enough to see its public per...

Romería Review: A Personal Tale of Intergenerational Dissonance

Note: This review was originally published as part of our 2025 Cannes coverage. The film opens on June 26. Continuing in the low-key register of her Golden ...

The Invite Review: A Knockout Relationship Comedy

Note: This review was originally published as part of our 2026 Sundance coverage. The film opens on June 26. Among Sundance's great pleasures is the exp...

Drunken Noodles Review: A Sultry and Strangely Calming Drama

Note: This review was originally published as part of our 2025 Cannes coverage. The film opens on June 26. The laws of time and space are met with frisky am...

Bouchra Review: An Aesthetically Bold, Personal Animation

Note: This review was originally published as part of our 2025 TIFF coverage. The film opens on June 26. Based on a real-life conversation shared by co-dire...

Exclusive Restoration Trailer For Black Chariot Resurrects a Long-Lost Independent Black Cinema Landmark

One of the first Black writers in television, Robert L. Goodwin scripted episodes of Bonanza, Love, American Style, All in the Family, and more. His ...

New Trailer for Tsai Ming-liang’s The Hole Ahead of 35mm Theatrical Run

Tsai Ming-liang's The Hole has occupied a large-enough place in cinephilia these last 25 years that it's sort of baffling to realize the film is just now getti...

“Memory Is Not Something You Can Trust”: Carla Simón on Romería, Family Stories, and Antonioni

Excavating her past in deeply moving ways, Spanish filmmaker Carla Simón has completed her family trilogy with Romería, following her debut Summer 1993 and Gol...

News

Cinema Guild to Unveil Otar Iosseliani Restorations This Summer

The Criterion Collection Announces Complete Stanley Kubrick 4K Set

NYC Weekend Watch: Masahiro Shinoda, Budd Boetticher in 3D, Carlito’s Way & More

Trailers

Will Poulter Navigates an American Crisis In First Trailer for Union County

Exclusive Trailer for Japan Cuts 2026 Highlights the Best of New Japanese Cinema

Sophie Thatcher and Charles Melton Traverse Giallo Underworld In Trailer for Nicolas Winding Refn’s Her Private Hell

Reviews

Camp Review: An Absorbing, Dreamlike Journey of Finding Yourself

Jackass: Best and Last Review: Knoxville & Co. Return for One Last Encore

Romería Review: A Personal Tale of Intergenerational Dissonance

Features

New to Streaming: The Prisoner, Silent Friend, Obsession, Fiume o morte! & More

NYC Weekend Watch: 70mm Conspiracies, Immigrants, Spectres, Sherman’s March & More

Posterized July 2026: The Samurai and the Prisoner, The Odyssey, Night Nurse & More

Interviews

Ross McElwee on Remake and the Painful, Profound Process of Making a Testament to His Son’s Life

Tamra Davis on Billy Madison, Half Baked, Watching Fellini and Coppola on Set, Bonding with Britney Spears, and The Best Summer

“There’s No Incentive for a Filmmaker to Retire”: Alex Cox on Returning With Dead Souls

Podcasts

The B-Sides of Julia Roberts with Joe Reid

The B-Sides of Steven Spielberg with Bilge Ebiri

The B-Sides of Goldie Hawn with Jen Johans

Read More

Exclusive Trailer for The Last Picture Shows Takes a Road Trip Through American Movie Houses

The Best Movies Now Playing in Theaters

Jackass: Best and Last Review: Knoxville & Co. Return for One Last Encore

Romería Review: A Personal Tale of Intergenerational Dissonance

The Invite Review: A Knockout Relationship Comedy

Drunken Noodles Review: A Sultry and Strangely Calming Drama

Bouchra Review: An Aesthetically Bold, Personal Animation

Exclusive Restoration Trailer For Black Chariot Resurrects a Long-Lost Independent Black Cinema Landmark

New Trailer for Tsai Ming-liang’s The Hole Ahead of 35mm Theatrical Run

“Memory Is Not Something You Can Trust”: Carla Simón on Romería, Family Stories, and Antonioni