Returning to the festival circuit last year with some of the most acclaim of his career, Sergei Loznitsa's Cannes premiere Two Prosectuors will now get a U.S. ...
Spoiler culture may be one of the lowest forms of film conversation, but there are times when it simply must be invoked. This is to say that Nirvanna the B...
Premiering at Sundance last year, Cole Webley's feature debut Omaha is a heartbreaking look at a father (John Magaro) in crisis as he takes his family on an un...
After the impressive homespun fables Bait and Enys Men, Mark Jenkin returned last year with Rose of Nevada, a journey into the past starring George MacKay and ...
Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. And so...
A fresh spin on a familiar tale, Gabe Klinger's Isabel places the classic midlife-crisis story in São Paolo, Brazil, where its eponymous character—a sommelière...
With The Secret Agent and I'm Still Here leading a wave of global interest in contemporary Brazilian cinema, another gem from the country will arrive this spri...
Synonyms and Ahed's Knee director Nadav Lapid returned last year with Yes, a blistering satire targeting Israeli nationalism that premiered at Cannes Directors...
After 2024's Brat Summer, the last six months or so could be considered Brat Cinema. Charli XCX has debuted a half-dozen features across festivals since Septem...
Is the sight of the human tongue really so shocking? Were 1996 audiences ducking in their seats à la L'Arrivée d'un train en gare de La Ciotat when Matthew Lil...
