The Ape (Jesper Ganslandt, Sweden)
This Swedish psychologically thriller/mystery tells the story of a man who wakes up, disoriented with his surroundings. As the film proceeds we discover many twists, turns and surprises. Ganslandt direction mirrors Aronofsky in The Wrestler, as we follow behind our lead in a handheld fashion, discovering things at the same exact moment. This rough style creates a sense of wonder and excitement not found in most thrillers. This is a film better left unspoiled, but it is safe to say there are a number of worthwhile moments, even if the approach makes most uncomfortable.
8 out of 10
The Invention of Lying (Ricky Gervais, Matthew Robinson, USA)
After the predictably safe and disappointing Ghost Town I was eager to see what Ricky Gervais was to do next. Being one of my favorite comedians I was glad he was able to direct, produce, write, and act in his next feature, The Invention of Lying. In this high concept comedy, about a world that has never told a lie, Gervais is back with his crude style in full force. Many of the jokes are unpleasant, rude, and hilarious. Thanks to a wide range of supporting characters (with a few surprising cameos) Gervais has enough jokes per minute to keep this comedy moving along. The film falters when it tries to delve heavily into religion. They waste quite a bit of time on this topic and never quite regain footing. This is nowhere near The Office or Extras but it is a worthy opportunity to see Gervais do what he does best.
7 out of 10
Cracks (Jordan Scott, UK/Ireland)
Proving the cinematic genes are fully intact, Ridley Scott’s daughter, Jordan, delivers an impressive debut with Cracks. The film shows us the relationships of a group of girls in a strict 1930’s British boarding school, led by instructor Miss G (Eva Green). When a Spanish student, played by the beautiful María Valverde, joins their ranks turmoil ensues. Scott captures an astounding environment among the hills and valleys of England (actually filmed in Ireland though). The score is gorgeous and the performances are masterful. Eva Green is the highlight as the instructor with many secrets. The film doesn’t quite end the way I would have liked, but it seems to be borrowed directly from the book it was based on. This film makes me look forward to Jordan Scott’s promising career.
8 out of 10
Leaves of Grass (Tim Blake Nelson, USA)
In an attempt to emulate the dark with the hilarious, found in the Coen brothers filmography, director Tim Blake Nelson has crafted a successful tale of sibling rivalry. Edward Norton plays twin brothers Bill and Brady. One is a upperclass Ivy League professor, the other is a pot-dealing redneck. Under specific circumstances they are acquainted after a long period of time and what follows is an adventure of murder, drugs and poetry. Norton plays these distinct characters with excellence. Each has different tendencies and mannerisms that are portrayed with skill. The story is continually engaging as we meet a wealth of side characters played by Susan Sarandon, Keri Russell, Richard Dreyfuss, and Tim Blake Nelson himself. The film doesn’t always balance the dark tones with comedy with perfection, but the ride is certainly enjoyable enough to experience.
8 out of 10
Accident (Soi Cheang, Hong Kong/China)
Think of Final Destination with hitmen. In this Chinese crime film we follow a group of four partners who carry out gang hits with elaborate constructions. The most intriguing part of the film are the way these plans are formed and carried out. Director Soi Cheang attempts to create an interesting dynamic between these partners but, by the conclusion, one will be worn out and lost interest in these relationships. What Cheang does best is focus on these intricately plotted scenarious and film them with suspense and fervor. It’s too bad the rest of the film doesn’t follow that similiar dedication.
6 out of 10