Kent Jones Talks ‘Hitchcock/Truffaut,’ Finding the Right People, Shaping a Documentary & More
We have a fascinating conversation with Kent Jones about film history and his latest documentary....
John Carpenter
Wes Anderson on Switching Genres, The Magic Hour, 21st Century’s Best Horror Films, and More
Dailies is a round-up of essential film writing, news bits, videos, and other highlights from across the Internet. If you'd like to submit a piece for consi...
[Review] The Inhabitants
When you're setting your New England ghost story against the backdrop of a Salem Witch Trial past, it's quite the coup to secure a locale as famous as the Noyes...
Brian De Palma’s Guilty Pleasures, Freedom of Framing, Inside A24, ‘Halloween’ Returns, and More
Dailies is a round-up of essential film writing, news bits, videos, and other highlights from across the Internet. If you'd like to submit a piece for consi...
Success of ‘It Follows,’ Editing as Punctuation, Spaces of John Cassavettes, and More
Dailies is a round-up of essential film writing, news bits, and other highlights from across the Internet. If you'd like to submit a piece for consideration...
[TIFF Review] Evolution
Near the beginning of Evolution, there’s a shot that hangs underwater, showing a seemingly harmonious aquatic eco-system that's glimpsed just long enough to cre...
Jason Blum Discusses Working With Horror Masters, Steven Spielberg, Future of the Genre, and More
With increasingly ballooning tentpole budgets, producer Jason Blum seeks to create crowd-pleasing horror films on a miniscule scale, whether it be Insidious, Paranormal Activity or The Purge....
Joe Dante Talks Returning to His Roots With ‘Burying the Ex’ and Wide-Ranging Influences
"Every movie that I’ve ever seen influences me. It’s a shitty answer, but it’s true."...
[Cannes Review] Love
Gaspar Noé, author of the notorious Irreversible and Enter the Void, has been generating a lot of hype around his fourth feature Love, which at Cannes was large...
[Cannes Review] Green Room
Jeremy Saulnier’s indie hit Blue Ruin, which won the FIPRESCI prize at the 2013 Directors' Fortnight and went on to enjoy a critically lauded international run,...