Jia Zhangke

The Film Stage’s Top 50 Films of 2013

For our final year-end feature, we're providing a cumulative look at our favorite films of 2013 here at The Film Stage. Over the last few days a variety of co...

Danny King’s Top 10 Films of 2013

Closing out our year-end coverage is individual top ten lists from a variety of The Film Stage contributors, leading up to a cumulative best-of rundown. Make ...

Raffi Asdourian’s Top 10 Films of 2013

Closing out our year-end coverage is individual top ten lists from a variety of The Film Stage contributors, leading up to a cumulative best-of rundown. Make ...

Ethan Vestby’s Top 10 Films of 2013

Closing out our year-end coverage is individual top ten lists from a variety of The Film Stage contributors, leading up to a cumulative best-of rundown. Make ...

The Most Overlooked Films of 2013

There's a multitude of reasons why a film may get unfairly overlooked. It could be a lack of marketing resources to give it a substantial push, or, due to a minuscule roll-out, not enough critics and audiences have viewed it to collect the champions it might require. It could simply be the timing of the film itself; even in the world of studio filmmaking, some features take time to get their due. With an increasingly crowded marketplace, it means there are more reasons than ever a film might not find an audience and, like last year, we've rounded up the releases that deserved more attention....

[NYFF Review] A Touch of Sin

It has been five years since the release of Jia Zhangke’s last feature-length fiction film, 24 City -- by far the longest gap between such features in his caree...

10 Films to See In October

If one considers last month's round-up of films such as Prisoners, Rush, and Enough Said as a worthy appetizer for the fall season, October is the main d...