Swedish director Frida Kempff’s debut feature Knocking taps into a human moment: attempting to sleep and hearing a persisting noise just outside of your grasp....
John and the Hole, the directorial debut from Pascual Sisto, is exactly what you’d expect from its title. The film, written by Nicolas Giácobone of Birdman, de...
Pleasure is, in its bones, a classic tale of the corrupting allure of fame. A young starlet-to-be arrives in Hollywood, becomes both entranced and envious of t...
Alexis Gambis' fifth feature Son of Monarchs tells the story of Mendel (Tenoch Huerta), a Mexican biologist residing in New York who returns to his native coun...
Ending earlier than usual in their hybrid virtual/physical edition of this year's festival, Sundance Film Festival have now unveiled their award winners. Swept...
What if, instead of meeting on a balcony by moonlight, Romeo and Juliet exchanged dog gifs and memes from The Office over Instagram DMs? Wouldn’t it have been ...
Tense and gripping, Hogir Hirori’s documentary Sabaya never positions itself as a thriller. There’s no need. Barring a few cards of scene-setting exposition, t...
Captains of Zaatari opens on a note of beauty, with exceedingly pretty shots of best friends Mahmoud and Fawzi kicking up dust as they bounce a soccer ball bac...
I often wonder what influential film theorist Andre Bazin would make of VR and simulations, especially when this year’s Sundance has virtualized the festival e...
A film that is both timely and timeless, Judas the Black Messiah resists intertwining current events with historical figures––an approach that Spike Lee has ex...
