What first appears to be an energetic, biographical sketch of NYU Professor and filmmaker Christine Choy becomes a film about her lost project, one that seemin...
It’s 5 p.m. and the day tumbles white with clouds. A car sneaks out of a parking lot and into traffic. The man at the wheel is alone. He turns off the radio an...
Adapting Lizzy Goodman's novel of the same name, Will Lovelace and Dylan Southern’s Meet Me in the Bathroom captures the essence of late-90s, early-2000s New Y...
This year's South by Southwest Film Festival, taking place March 11-20 in-person with select films available online, has unveiled its lineup. With 99 features,...
After providing coverage on nearly every feature premiering at Sundance this year and sharing our top picks, today we take a deeper look at our favorite shorts...
It would be a mistake to take the synopsis for Abed Abest's Killing the Eunuch Khan at face value. This is not a film about a serial killer in the generic sens...
Director Frauke Havemann's story about traveling into the woods with her dramaturg to discuss a new project at the onset of COVID-19 feels crucial to understan...
Lena Dunham’s Sharp Stick, her first feature since 2010’s Tiny Furniture, finds the writer-director again taking big swings with mixed results. Set in Los Ange...
With their latest feature together, DIY sci-fi directors Justin Benson and Aaron Moorhead continue to make the low-budget thrillers that have gained them a ded...
If you know Sinéad O’Connor’s name it’s likely two images come to mind: a buzzed head in a black turtleneck, a ripped-up photograph of Pope John Paul II. Kathr...
