Like every industry built under the watchful eye of a global patriarchy, the EDM scene is grossly tilted in favor of its male artists. And like many of those s...
If you find yourself needing to latch onto an obscure scientific theory to reinvigorate your energy level and live your life as more than a sleepwalking zombie...
Few places on Earth have been mythologized as much as New York City. The very mention of its name can instantly summon images (King Kong atop the Empire State ...
An opening shot of Frederick Wiseman’s National Gallery shows a man polishing the floor of a room walled with masterpieces. Recently writing about the moment f...
An appropriately buoyant opening-night choice for this year’s New York Film Festival, Lovers Rock chronicles an underground London blues party, a space where B...
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles ...
Is it cynical or bitter? That’s a hill I find myself dying on on a regular basis, so it only makes sense for The Devil All the Time to add to the pile. Written...
Returning to the questions of identity that propelled his 2019 spy thriller The Operative, Yuval Adler’s misfire The Secrets We Keep is a violent exploitation ...
Try as they might, Max Landis' name is still there on the big screen when the opening titles to Roseanne Liang's Shadow in the Cloud begin to roll. They've scr...
Carrie Coon’s filmography ranges from Gone Girl to The Leftovers to Izzy Gets the F*ck Across Town. Jude Law’s in recent years has been as idiosyncratic as to ...